The new house takes its cue from the hillside strata of rocks, moss, ferns, trees. Like the Cottage roof mirroring the distant form of Blue Hill Mountain, the upper floors of the house are captured below an unfolding form pinned by the large, stone hearth – the sky toned zinc coated roof is the great gesture. In contrast, the lowest floor is nestled discreetly into the valley saddle providing private access to paths and the coastline with a private green roof-lawn above. Many rooms in the house can be viewed from different angles – like a cinematic experience.

Walking through the house parallels the feeling of wandering through the landscape. The structure lives in situ with a minimal carbon footprint limiting the palate to natural materials. Cedar, Fir and stone from the same quarry that Patterson used were processed and fabricated within 2 miles of the estate. The glass master suite flies free cantilevering akin to a treehouse; you sleep within the canopy of the forest. The new Corten steel Moon Gate embodies the essence of the home, a starkly modern adaptation of a traditional Chinese design.

The renovated gardens are connected with the homes entry sequence while incorporating a simple, falling water feature on its narrow side celebrating the tremendous amount of ground water from the local snow melts.